Electronic voice

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Electronic voice

Electronic voice phenomenon or EVP is the name for human voice-like recordings that are allegedly unexplainable, meaning the people making the recording did not make the noises. They can occur in the background of normal recordings, even when other people are speaking.

They can appear on a radio that is not tuned to a station. You cannot hear it while you are making the recording. Most believers say that these voices or human sounds are the voices of the dead — spirits who are communicating with the living.

The concept of electronic voice phenomena has been around almost as long as the ability to record sound. For nearly years, people have been making these recordings and attempting to explain them.

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The first examples of EVP are confusing. If spirits are going to say things like that, are we sure we want to hear them? Here are some supposed examples of electronic voice phenomena.

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Some of these videos contain alarming sounds and eerie footage. Consider yourself warned. Skeptics agree that electronic voice phenomena can be explained in several different ways without blaming it on spirits. Cross-modulation, misinterpreted white noise, the power of suggestion and apophenia are just a few things that could potentially cause one to hear voices in a recording.

electronic voice

Many believers in EVP will tell you the same thing. They know EVP may have a logical explanation. However, some have gone to great lengths to make recordings without the possibility of any of these other explanations occurring. For details on how to record electronic voice phenomena, try this website. The writer details how to minimize the possibility of corrupting the recording, thus ensuring to the best of your ability that the recordings are electronic voice phenomena, whatever it may be.

Amazon has several EVP recorders for sale at a reasonable cost. Shelly Barclay writes on a variety of topics from animal facts to mysteries in history. Her main focus is military and political history. She also writes for a local historical society newsletter. This website uses cookies to improve your experience.Install Commercial Systems.

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electronic voice

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electronic voice

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Nontrivial numbers of Americans believe in the paranormal. These beliefs have spawned thousands of groups dedicated to investigating paranormal phenomena and a proliferation of ghost-hunting entries in the reality television market. Anecdotal evidence even suggests that ghost-hunting reality shows have increased public openness to paranormal research, which usually entails a small group traipsing through reportedly haunted locales at night with various ghost-hunting technologies.

Microphones capture ambient sounds during the investigation. Later, the audio recordings are scoured in search of messages from spirits. The premise is that audio recording devices can register otherwise inaudible communications from discarnate entities. These purported communications have been dubbed electronic voice phenomena EVP. The sounds are generally brief — most examples consist of single words or short phrases. Part of the attraction of the audio recorder for paranormal researchers is its apparent objectivity.

How could a skeptic refute the authenticity of a spirit captured by an unbiased technical instrument? To the believers, EVP seem like incontrovertible evidence of communications from beyond. Despite the technological trappings, EVP research bears several characteristics of pseudoscience.

In some instancesalleged EVP are the voices of the investigators or interference from radio transmissions — problems that indicate shoddy data collection practices. Other researchhowever, has suggested that EVP have been captured under acoustically controlled circumstances in recording studios.

What are the possible explanations for these sounds? The critical leap in EVP research is the point at which odd sounds are interpreted as voices that communicate with intention.

Paranormal investigators typically decode the content of EVP by arriving at consensus among themselves. Research in mainstream psychology has shown that people will readily perceive words in strings of nonsensical speech sounds. Interpretations of speech in noise — a situation similar to EVP where the alleged voice is difficult to discern — can shift entirely based upon what the listener expects to hear. In my lab, we recently conducted an experiment to examine how expectations might influence the perception of purported EVP.

Our EVP were audio recordings from a ghost-hunting reality show. We asked three questions: Do people perceive alleged EVP to be voices under controlled conditions?

electronic voice

And finally, does it matter whether or not they think the research topic is paranormal? Half of participants were told that the experiment was part of a research project on paranormal EVP. The other half were told that we were studying speech perception in noisy environments — a typical if perhaps boring perceptual psychology experiment.

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In a study trial, participants heard a sound and were asked if they detected a voice in the stimulus. Across the study, participants heard the purported EVP, recordings of actual human speech, recordings of human speech obscured in noise, and recordings of only noise.

The EVP and speech-in-noise sounds were inherently ambiguous — they sort of sounded like a voice was present and sort of did not. So suggesting a paranormal research topic mattered only when the audio was ambiguous. These findings suggest that paranormal researchers should not use their own subjective judgments to confirm the contents of EVP.

We concluded that EVP are an auditory example of pareidolia — the tendency to perceive human characteristics in meaningless perceptual patterns. There are many visual examples of pareidolia — things like seeing human faces in everyday objects such as Jesus in a piece of toast. Research from cognitive psychology has shown that paranormal believers may be especially prone to misperceiving chance events. A face-like configuration in a slice of toast seems meaningful.Mankind has long believed that it's possible to communicate with the dead.

Today, with a variety of electronic equipment at our disposal, there might be an easier, more effective way to converse with the spirit world. And whether or not the results are actual communication with the dead—or something else—the results seem very real.

Electronic voice phenomena, more commonly known as EVPis a mysterious event in which human-sounding voices from an unknown source can be heard on recorded data from audio tape, radio station noise, and other electronic media. EVPs have been captured on audiotape more than any other media but the mysterious voices aren't present at the time of recording.

It's only when the tape is played back—sometimes with the application of amplification and noise filtering—that the voices can be heard. One fascinating aspect of EVP is that the voices sometimes respond directly to the people making the recording.

For example, the researchers ask a question to which the voice will answer or comment. Again, this response is not heard until later when the tape is played back. EVP recordings vary by gender men and womenage adults and childrentone emotion, and even language. Some are more easily heard and understood than others. Most EVPs consist of single words, phrases, or short sentences, although sometimes, they are made up of grunts, groans, growling, or other vocal expressions.

The quality of EVP also varies.

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Some are difficult to distinguish, with meanings that are open to interpretation. Some EVP, however, are quite clear and easy to understand.

EVP often has an electronic or mechanical character to it, although sometimes, it can be very natural sounding. By Stephen Wagner. These are also usually the loudest EVPs. Class B: Usually characterized by warping of the voice in certain syllables. Lower in volume or more distant sounding than Class A. Class B is the most common type of EVP. Class C: Characterized by excessive warping. They are the lowest in volume often whispering and are the hardest to understand.

That, of course, is the mystery. No one knows. Some popular theories are:. They are voices of the dead. This is why many researchers go to cemeteries seeking EVPs often with great success.

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In this context, the phenomenon is sometimes called instrumental transcommunication or ITC.During these challenging times, we guarantee we will work tirelessly to support you. We will continue to give you accurate and timely information throughout the crisis, and we will deliver on our mission — to help everyone in the world learn how to do anything — no matter what. Thank you to our community and to all of our readers who are working to aid others in this time of crisis, and to all of those who are making personal sacrifices for the good of their communities.

We will get through this together. Updated: May 16, References. Here's a guide on how to accomplish a recording. Log in Facebook Loading Google Loading Civic Loading No account yet? Create an account. We use cookies to make wikiHow great. By using our site, you agree to our cookie policy. As the COVID situation develops, our hearts ache as we think about all the people around the world that are affected by the pandemic Read morebut we are also encouraged by the stories of our readers finding help through our site.

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Related Articles. Buy a recording device. A recording device with an external microphone is better than an internal microphone because you may hear the inner workings of the machine, thus making pretty much any EVP impossible to hear.

Pick a destination for your recording. A cemetery, haunted house, or any place that makes you feel uneasy will work.Within ghost hunting and parapsychologyelectronic voice phenomena EVP are sounds found on electronic recordings that are interpreted as spirit voices that have been either unintentionally recorded or intentionally requested and recorded.

Enthusiasts consider EVP to be a form of paranormal phenomenon often found in recordings with static or other background noise. However, scientists regard EVP as a form of auditory pareidolia interpreting random sounds as voices in one's own language and a pseudoscience promulgated by popular culture. As the Spiritualist religious movement became prominent in the s—s with a distinguishing belief that the spirits of the dead can be contacted by mediumsnew technologies of the era including photography were employed by spiritualists in an effort to demonstrate contact with a spirit world.

So popular were such ideas that Thomas Edison was asked in an interview with Scientific American to comment on the possibility of using his inventions to communicate with spirits.

All About Electronic Voice Phenomena (EVP)

He replied that if the spirits were only capable of subtle influences, a sensitive recording device would provide a better chance of spirit communication than the table tipping and ouija boards mediums employed at the time.

However, there is no indication that Edison ever designed or constructed a device for such a purpose. Spiritualism declined in the latter part of the 20th century, but attempts to use portable recording devices and modern digital technologies to communicate with spirits continued. American photographer Attila von Szalay was among the first to try recording what he believed to be voices of the dead as a way to augment his investigations in photographing ghosts.

He began his attempts in using a 78 rpm record, but it wasn't until — after switching to a reel-to-reel tape recorder — that he believed he was successful.

Szalay reported finding many sounds on the tape that could not be heard on the speaker at the time of recording, some of which were recorded when there was no one in the cabinet. He believed these sounds to be the voices of discarnate spirits. Among the first recordings believed to be spirit voices were such messages as "This is G! Upon playing the tape later, he heard what he interpreted to be his dead father's voice and then the spirit of his deceased wife calling his name.

Some of these recordings were conducted in an RF-screened laboratory and contained words Raudive said were identifiable. O'Neil claimed the device was built to specifications which he received psychically from George Mueller, a scientist who had died six years previously. However, nobody is known to have replicated the results O'Neil claimed using his own Spiricom devices. Sumption claims he received his design instructions from the spirit world.

The device is described as a combination white noise generator and AM radio receiver modified to sweep back and forth through the AM band selecting split-second snippets of sound. Critics of the device say its effect is subjective and incapable of being replicated, and since it relies on radio noise, any meaningful response a user gets is purely coincidental, or simply the result of pareidolia.

The term Instrumental Trans-Communication ITC was coined by Ernst Senkowski in the s to refer more generally to communication through any sort of electronic device such as tape recorders, fax machines, television sets or computers between spirits or other discarnate entities and the living.

Inparapsychologist D. Scott Rogo described an alleged paranormal phenomenon in which people report that they receive simple, brief, and usually single-occurrence telephone calls from spirits of deceased relatives, friends, or strangers.

Inthe parapsychologist David Fontana proposed in an article that poltergeists could haunt tape recorders. He speculated that this may have happened to the parapsychologist Maurice Grosse who investigated the Enfield Poltergeist case. However, Tom Flynn a media expert for the Committee for Skeptical Inquiry examined Fontana's article and suggested an entirely naturalistic explanation for the phenomena.

According to the skeptical investigator Joe Nickell "Occasionally, especially with older tape and under humid conditions, as the tape travels it can adhere to one of the guide posts.

When this happens on a deck where both supply and take-up spindles are powered, the tape continues to feed, creating a fold. It was such a loop of tape, Flynn theorizes, that threaded its way amid the works of Grosse's recorder. A radio was tuned to an empty frequency, and over 81 sessions a total of 60 hours and 11 minutes of recordings were collected.We use NaturalReader Software and the MP3 export feature almost daily to help him get through lengthy reading assignments.

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